But that is how Hungarian film-maker László Nemes likes to refer to his Oscar-winning Holocaust picture Son of Saul, which penetrates to the heart of the grotesque killing machine of Auschwitz. Immersive is a word normally associated with thrillride films such as Gravity or Lord of the Rings, or boutique costumed events such as Secret Cinema it is not one that tends to be linked with cinematic descriptions of human misery at its most extreme.
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